Whilst this was new album to both of us, there were many,
many recognisable moments throughout the tracks. This has to be one of the most
sampled records ever, with influences in techno, hip-hop, synth-pop and more. I
was also familiar with Renegades of Funk, the song that gave a name to to Rage
Against the Machine's cover album, Renegades. Whilst I was familiar with Afrika
Bambaataa through references and influences, I hadn't come across the Soulsonic
Force before. I was looking forward to an 80s-tastic set of tunes with booming
basslines, razor sharp synth lines, and cheesy rapping; I was almost satisfied.
Don't Stop, the
album opener, starts off catchy as anything, with a cutting use of cymbals and
synth. It is very multi-faceted, with elements flowing in and out, and clocking
in at six and a half minutes. Whilst this shows the talents of the musicians, it
is also quite easy to fade out halfway through. The second track, Looking for
the Perfect Beat was the best song for me, with it's use of scratching, snare,
and back and forth vocals. Although the vocal content is fairly basic (naive
was the term Chloe used), it has some redeeming features, such as an
interesting Shakespearean reference. Renegades of Funk, to my ear, sounds
better with Zack de la Rocha's more obvious anger over the top of it than the
more upbeat, comedic approach of the original, although it does have a great
horn section. Frantic situation doesn't really do it for me, sounding like a
weak cross between hip hop and disco. The guitar intro on Who do you think
you're funkin' with?, coupled with the obscene bassline makes this a proper toe
tapping, head-bopping, smile inducer. The rapping is also much more convincing,
which may well be due to Melle Mel's involvement. Go Go Pop has been heavily
sampled, but doesn't really go anywhere as a song, whereas They Made a Mistake
has better lyrical content, and some catchy moments, but that's about it.
I (think I) can
completely understand why this album is so important, and formative for many
groups. The technical ability and creativity is exceptional given what had come
before. However, I think Chloe put it well when she said that it was a dance
album that did not really make her want to dance. It is almost trying to be too
clever, at the expense of a cohesiveness to the record. I can imagine a couple
of tracks being belted out an an amazing soundsystem (I'm thinking Despacio
good) in a club would sound jaw-droppingly good, but that isn't enough to make
an amazing album. The album has some brilliant sections, but it is too
inconsistent, and so ends less than the sum of its parts.
Chloe's rating: 5
Chloe's favourite
track: 1. Don't Stop... Planet Rock
Olly's rating: 6
Olly's favourite
track: 2. Looking for the Perfect Beat
Next week's album is 885. Californication by the Red Hot Chili Peppers, an album I know pretty well, and am looking forward to getting my teeth back into.

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