Signed to Branson's Virgin label, this album would go on to sell in the millions. It is hugely familiar, and often parodied, but the fact that it is written and performed by one man, given the variety of instruments used, is in itself impressive.
The first track starts with the seminal notes that are so well known. Whilst this theme is no doubt divisive, I think it has actually stood the test of time remarkably well. The way the song builds, with an ebbing and flowing, and always something new to hear is great, and the sound quality is superb, with the title instrument cutting through beautifully, testament to the obsessive nature of the artist. I've always enjoyed the ending of this song too, with the announcement of each instrument into an amusing yet stirring crescendo.
The second track can't live up to the majesty of the first, in which there is no real shame. However, when there are only two tracks on the album, it does diminish the overall impact. There are nice touches throughout the second song, but it never really gets going in the same way.
This is an album I enjoyed coming back to, having heard it a lot in my youth. Whilst I noticed the odd new tone or note, it didn't add much to my memory of the album. Chloe was more won over by it, although given her expectations, it didn't take much to raise the bar on those.
Chloe's album rating: 5
Chloe's favourite track: 2. Tubular Bells Part II
Olly's album rating: 7
Olly's favourite track: 1. Tubular Bells Part I
Next week is 756. Brutal Youth by Elvis Costello.
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