The opener is one of the most famous Dylan songs, which means it is also one of the most famous songs full stop, and with good reason. The ramshackle drumming and wheezy instruments, alongside the most singalong of Dylan's choruses, make this a song which really captures the time of social upheaval. The story of a man falling from grace presents the flipside of a changing world, where it felt like your parents' background would not dictate your future. Tombstone Blues is more acerbic, with a sharpness to the lyrics and snare drum, and many of the songs that litter this seminal album demonstrate Dylan's lyricism, even if it isn't always as sharp musically.
The outstanding track for me, however, has always been the one off this album that is criminally underrated for me. Ballad of a Thin Man is lyrically bizarre, but musically utterly captivating. The minor chords, and claustrophobic delivery, beautifully capture the frustration of Dylan's interactions with the media. As his fame grew, it became harder for him to experiment, hence the 'Judas' moment where his adoring fans turned against the man he had naturally become. The track seems to capture his belief that Art shouldn't have to answer to the public or press, and whilst I'm not always sure I agree, it is as compelling a case as you'll hear outside the Old Bailey.
Overall, this album is very good, but I can't quite see why it is so revered. As a poet, Dylan is exceptional (it was his Chronicles autobiography that introduced him to me - I've rarely read as well written a book), but I've always found his music slightly too simplistic. Whilst this is clearly partially a product of the times, his experimentation is more lyrical than musical, and it is the latter which always interests me more.
Chloe's album rating: 7
Chloe's favourite track: 1. Like a Rolling Stone
Olly's album rating: 7
Olly's favourite track: 5. Ballad of a Thin Man
Next week is 767. Live Through This by Hole.
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