The story behind this album is incredible, and worthy of retelling, even by a raconteur as limited as me. Marvin Gaye had married the Anna Gordy, the sister of the boss of his record label, Motown, Berry Gordy. After 12 years of marriage, their relationship had broken down, and their divorce agreement guaranteed Anna a 50% proportion (some sources claim slightly differently) of the takings of Gaye's next record. Instead of going through the motions, he decided to write an album that summarised their parting, in very real detail. The result is superb, if brutal.
The album is often at risk of lapsing into self-indulgence, but maintains a sharpness that just about avoids this. To think that this collection came from the same artist as "What's Going On" is quite a shock, contrasting the peace and love approach of the album with the vitriol and hurt included within this one.
The best song on this album, and a masterpiece in itself, is "When Did You Stop Loving Me, When Did I Stop Loving You". The subtlety of the chorus, played out so gently, and the obvious rancour yet acceptance of blame present in the lyrics makes for quite the powerful statement. "You Can Leave, but It's Going to Cost You" is another brilliant track, with the funky undertones highlighting Gaye's mastery of a band, and the studio, and the knowing nature of the title and content.
I really enjoyed this album, perhaps because of how different it was to what I'd anticipated. The open structure of the songs, alongside the transparency (admittedly from one point of view) emotionally on offer is quite something for an ostensibly pop musician. The cover art may be enough to put you off, but if you can get past that, this is an album that, ironically, rewards loyalty.
Chloe's album rating: 6
Chloe's favourite track: 2. I met a Little Girl
Olly's album rating: 8
Olly's favourite track: 3. When Did You Stop Loving Me, When Did I Stop Loving You
Next week is 999. In Our Heads by Hot Chip.
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